Fox in the Penalty Area ~

The transfer matter is settled.

Because of the discussions these days, I still have to say a few words briefly.

The following are my views from the author's perspective:

First of all, the transfer to the Madrid Pirates is not a temporary intention, not a blunt turn.

It was decided when I conceived the content of the second half of the book.

He would definitely go to the pirates. For this reason, Li Qingqing moved to the Madrid Kings because he wanted two people to be in the same city, but not on the same team-why not on the same team? Because I don't want to write that way, I think it's meaningless and not dramatic.

The second point is that since you have decided to go to pirates, why don't you prepare for it in advance and make it the same as a sudden attack?

In fact, I have laid the groundwork, but I haven't laid much groundwork.

The first time the Madrid Pirates appeared as a team name in the fourth volume, the first time they had a relationship with Hulay was after Hulay killed Tramed and helped Leeds reach the top of the Premier League. There were pirate fans on the Internet. The message expressed that he was very happy that Hulay did not go to the Madrid Kings, otherwise he would not see this wonderful goal now.

At that time, I remember that some readers guessed whether Hu Lai was going to be a pirate.

I think at least from that time, not many people think that Hu Lai will definitely go to the King of Madrid, which is completely different from the current public opinion that "not going to the King of Madrid is a big drug" these days.

In addition, during the World Cup, pirates were mentioned.

Before the Europa League final, it was also mentioned that the pirates were the last champion.

Foreshadowing is certainly foreshadowing, but looking at the reactions of many people, it is just that the foreshadowing is not enough, and the meaning is not obvious enough.

There are my questions in this regard, but I also want to explain why I would do this.

Because I didn't want to show the intention of "Hu Lai will definitely go to Madrid as a pirate" from the beginning.

I only expressed the possibility that he would definitely not go to the King of Madrid through the rivalry between him and Meli. Everything the King of Madrid did in the later period was like an old general on the stage, constantly planting flags on himself...

Why don't I want to point out which team Hulai will go to from the beginning?

Because I don't think Hu Lai himself actually knows where he is going next, he only knows where he won't go.

Even if he moved to the Madrid pirates now, it does not mean that the pirates are his "true son".

I will write about this later in the novel: that is, he himself is not sure whether it is right to go to Madrid as a pirate. At the beginning, he was not sure whether he could definitely succeed in this strange giant team.

Of course he will work hard to achieve success, but everyone knows that football matters are not determined by your player alone without hard work.

So it's normal for him to think this way. Of course, as the story progresses, he and the Madrid pirates will gradually complement each other. But I don't want to write a story in which everyone can see the future path from the beginning, and there is no fluctuation.

Hulai will definitely succeed in the Madrid Pirates, but this success is finally achieved through his own efforts and through ups and downs. Rather than making everyone think that he has gone to a team like Leeds City, where the whole team revolves around him, from the owner to the fans, all take special care of the team.

Therefore, before the transfer to the Madrid Pirates is determined, in theory, the entire European giants, Hu Lai can go.

People in the world in the book don't know which team Hulay will choose in the end. The Madrid Pirates themselves don't know, nor do they persevere in pursuing Hulai like Leeds did at the time, as if Hulai was their "true life". "The emperor" is the same, if you don't catch it, you won't stop.

I didn't write any of these things.

In fact, if you really want to pave the way, according to my habits and routines, Leeds City and Madrid pirates should be arranged to meet in the Champions League, and then Hulai led his team to defeat the Madrid pirates after two rounds of hard work, leaving a deep impression on the other side. The impression, conquered the Madrid Pirates Club high-level and team coaches, as well as players.

Seeing this, everyone must know that Hu Lai is going to pirate Madrid.

In the end, it was logical to go to Madrid for the pirates.

It's the same as the last book, "Liu Yin Zhengrong".

Although the routine is repeated, it is indeed a very mature routine. It is not wrong, no controversy, and no problem when written.

But I really don't want to write it like that.

What I have always insisted in this book is to describe as little as possible about the teams and people that are not related to the protagonist or the protagonist group, just like they are hidden in the shadows before opening the map. As the protagonist group explored the world, they established a relationship with the protagonist group, which gradually surfaced and came to the stage one by one.

Why do you want to do this?

Because no matter how many people complain, I just changed the name, but I did rebuild a lot of things in this book. Unlike the real world of football, once there are new roles and new teams, I have to introduce enough in detail to let readers know what it is.

And if it's real football, I just need to throw a name, and everyone else will know it.

For example, when I wrote that Hu Lai and Li Qingqing watched Leeds at home and challenged the warship port at home, I wrote about the history of the warship port in detail.

I wrote about Leeds City's Europa League challenge to London Bridge, and also specifically wrote about the history of London Bridge's home court in detail.

For me, this is all information that must be written out, because if you don't write it out, you won't have a sense of substitution. In other words, I personally feel that this world is not finished, it is a bad project.

But in fact, after I wrote this, someone said in a comment, "Why are you writing this?" "Are we looking at the history of the London Bridge home court?"

So obviously, there are some things that I think are necessary, but they are actually thankless.

Therefore, in order not to flood the Jinshan Mountains, I adopted the principle of "whatever the protagonist touches, write again, how much contact, and how much more".

Some people will say: You can make this a set and show it to us separately.

I won't talk about how many people watched this after finishing each volume on the list of roles placed in the works. I'll talk about a very realistic reason-I haven't yet given the names of all the teams in the five major European leagues. The history, jersey color, and home game information are all finished.

If the protagonist team has not been in contact with those teams, then there is no need to do it all.

Because this workload is really too great, for my kind of naming waste, every time I think about a name for a team, I have to smash my head.

Not to mention that I have to think of their past and present for each team. At the same time, I have to try not to copy the real team completely. I can only learn from it, and then integrate other content into it according to the needs of the plot.

Take the King of Madrid as an example. Some people say that fools can see that you are Real Madrid. Why don't you write Villarreal as a giant?

But the problem is that most of the giant teams were originally born in economically developed regions and important metropolitan cities.

Madrid is the capital of Spain, the political and economic center, and its GDP accounts for 17% of Spain. How can there be no rich people in such a city?

If the giants appear, will they be associated with Real Madrid?

But I am not writing about Real Madrid. I have no choice of birth. I can only add details elsewhere to distinguish it from Real Madrid in reality.

For example, highlighting the attributes of the top giants, highlighting the characteristics of ruthlessness.

And Tramed, and Stan Park Rangers.

One of them is in Manchester and the other is in Liverpool.

Anyone who knows the ball knows the prototype at a glance.

However, one is an industrial city and the other is a port city. It was originally a good place for the birth of a football team. The economy is developed and it is only natural for the rich to appear.

But you can't just say that one is that and who is the other.

For low-level league teams, such as the team previously coached by Tony Clarke, Hammond Castle, I can still make a complete mess of it out of nothing, because there are not many scenes and it has no effect on the entire European football structure. Therefore, such a team does not need to be carefully set up, it can only have one name.

But when it comes to the top leagues, the top five leagues in Europe, you can't just choose names and don't make other settings.

The difficulty of this project can be imagined.

So I haven't finished it yet, I also followed Hu Lai and the others, adding up and setting up a little bit.

If you have a friend who knows European football well, is good at it and likes to make settings, you can also try to do this work in the book review area. If appropriate, I will choose it directly, so I don't bother myself.

In fact, it is not only the Madrid pirates, but also giant teams such as the Turin Bulls, Blue and White Munich, Insubre, and Ruhr Rhein have no role in my previous article, and they play very few games. The reason is basically the same-it has little to do with the protagonist, so I won't mention it in detail.

If Hulet did not go to the Madrid pirates, but went to the Turin Bulls and Insubre, then I will start to introduce the history, current situation and other information of this team in detail.

Therefore, people say that I have little foreshadowing and insufficient foreshadowing. I admit it. On the one hand, I am obsessed with writing. On the other hand, it is because of my inadequate consideration.

But if I have to say that this is a 0 foreshadowing, God's turning point or something, I absolutely cannot accept it. To say that I have not even mentioned the name "Madrid Pirates" before. In order not to go to the King of Madrid, a Madrid pirate, the rival of the King of Madrid in the same city, suddenly popped up. Then I was scolded for turning abruptly and slapped me in order to slap me in the face. recognize.

This is not the case now.

For the reasons I said before, there is little foreshadowing.

Of course, with Hu Lai's transfer to the Madrid Pirates, this team will naturally show more in front of everyone.

In fact, in my own set, I still did a lot of setting work about this team.

For example, the history of the team, team culture, home stadium, training base, jersey color, celebrities, team song, fan composition, and the specific grievances of the Madrid Kings... and so on. It's just that there is no need to throw all the brains out, but as the story progresses, with Hu Lai's perspective, it will gradually show it to everyone.

So don't say "just round" when you see the introduction of the Madrid pirates.

The third point, since you are not going to the King of Madrid, why do you write so many Kings of Madrid before?

Because I want the King of Madrid to be the boss...

Since it is a big boss, how can you write without pen and ink? Could it be over with the sentence "The King of Madrid is the top giant"?

Note that it is the boss, not the villain.

For example, I wrote about the Madrid King's pursuit of Hulay, which shows their sincerity. From the perspective of the Madrid Kings Club, it is impeccable.

Even if he was rejected by Hu Lai, he didn't say anything ruthlessly, and he still maintained the tolerance of a wealthy family.

I just don't want to write the big boss as a harlequin.

Hulai decided not to go to the King of Madrid when he went to Leeds.

As for what made Francis come in contact, it was just a dramatic treatment-everyone thought that the King of Madrid was determined to win Hulai, and the King of Madrid was confident in writing, but the result was nothing.

In this way, on the one hand, it can reflect the importance of the King of Madrid to Hulay, and at the same time it can highlight Hulay's status and strength in European football.

On the other hand, it can also show the acting style of this top giant, domineering and tough. "Any player we like, there is no one that can't be taken down!"

As they said: "The best players should play for the Kings."

Some people say that if you want to compete with Melly, you can also compete with each other on the same team.

It also makes sense. Maybe in my future novels, I will write a plot similar to this. For example, two people are friends and join a giant at the same time, and then realize the cruel competition among the giants, change from a friend to a competitor, and then decide. Male and female... something.

Real football also has it. Neymar and Messi's battle for the top card in Barcelona ended in Neymar's departure from Barcelona. In the end, who would have thought that Messi would be forced away by Barcelona and teammates with Neymar again-this is a novel plot at all!

But I don't intend to write this book like that.

Hu Lai is also not the kind of person who wants to be friends with Meli. At least in the current plot, he just treats Meli as his opponent. He never thought of going to be a teammate with the other party, and then curve to save the country.

There are many kinds of competition, and competition within a team is one kind, so why just go to the opponent and compete directly?

Going to the king can accept it, but going to the pirates can't accept it?

In fact, there is no right or wrong in these two ways. You can think that going to the king is good, but you can't think that going to Madrid is pirates.

For example, you said that Hu Lai's pirate trip to Madrid was not enough and it was uncomfortable to watch. I understand that, no problem.

But if you want to say that Hu Lai will not go to the king to cling to the team to win the championship, go to the pirates to challenge the king is a big poison, that is to write down, then I think you are talking nonsense-who stipulates that what you think is right?

There is an audience for Baotuan to win the championship, and there is an audience for challenging the king.

If I write that Hu Lai goes to Madrid, the King and Meli team up to win the championship and crush Europe. Believe it or not, many people will come out and say they can't accept it?

Before, some readers expressed that they did not want Hu Lai to go to the king.

Who do I listen to?

Otherwise, you fight first, who will win and I will write according to whom?

Is it plausible?

This is a novel I wrote, and how I write it is considered by my author.

I don't want to write the King of Madrid as a harlequin, so the image of the King of Madrid is quite positive. But it does not mean that Hu Lai must go to the King of Madrid, otherwise it will be poison.

Don't bring such strong buying and selling.

So for all the teams in my book that have a good impression of the protagonist, should the protagonist go?

Just forget the five major league rounds...

Every character and team in the book has its own temper and personality, and they are not tools attached to the protagonist.

The club that pursues the protagonist is not a stallion in heat.

After they showed their position and attitude, they couldn't control the result. They can only accept whatever the result is.

Just like in the real world, isn't this principle easy to understand?

Some people say that Hu Lai looks down on rich men.

Sorry, there is no such thing.

I never wrote that Hulay looked down on the Madrid Kings, he just didn't want to be teammates with Meli.

Besides, pirates are also rich, so why did Hu Lai look down on the rich?

The world's most powerful are the Kings of Madrid, right?

Yes, the Madrid Kings are the "rich among the rich", but it doesn't mean that other teams are ants, and the Madrid Kings can do whatever they want.

They are just not as glorious as the King of Madrid in history, but they are not necessarily inferior to the King of Madrid in the present.

Finally, the above is a little bit about this transfer and my thinking when writing.

Hope to help everyone understand this novel.

Of course, if you really don't understand, you can't accept that Hu Lai went to the Madrid pirates and didn't want to watch it. I also accept it.

Just as readers cannot force the author to write a book according to his wishes, the author of UU Reading www.uukanshu.com cannot force the reader to read his own book.

Good to get together, good to go.

But if I still want to curse "It's just poison, it's poison", "The writing is broken" and "Jiang Lang is exhausted", I am sorry, I can only delete the post. After all, I don't want to affect the mood of my own writing and other readers.

Finally, to those readers who are still willing to stay:

Entering a new environment, in order to write clearly what I want to write, and for these new characters to be able to stand, I will spend a lot of time writing daily, and will not enter the game soon.

So please stay calm.

More than four million words have come, and I know what style the book is, not too short of time.

I'm an old-fashioned person, and I still believe in "slow work and meticulous work"...

Thank you all!

Please read the book.

Chapter end