Doomsday Bosses Win the Entertainment Industry Chapter 1122

Beijing Communication University, School of Drama, Film and Television.

"Qingyan, come back and think of a few topics related to "Rain in the Day" and report them to me. The big questions on the test paper are used for undergraduate exams."

"Okay." Xie Qingyan, who was sorting out the notes in the book, glanced at the calendar and agenda on the desktop, "I will send it to you tomorrow and the day after tomorrow."

"Yeah." The instructor nodded casually, then suddenly remembered something, and stopped his student, "Oh, yes, last time you asked me if the new issue of "Shuo Ying" has arrived? Is it "Shuo Ying" or "Hundred Years" Come on, anyway, everything that should arrive at this moment has arrived, you go to the newspaper column in the library to take a look."

"Well, I'm going now." Xie Qingyan smiled.

"After reading it, write a review for me."

"no problem."

Xie Qingyan, the unified ID of the whole network "Actors are playing me if they don't act", a master's student of Beijing Chuan, majoring in theater and film and television, second year of research.

When the near-water platform comes first, when countless colleagues are still paralyzed in the topic area and wailing "why the October issue of "Hundred Years of Light and Shadow" I ordered has not yet arrived", Xie Qingyan, a professional counterpart, is already doing it in the library dedicated to her college. After finishing the borrowing and registration, I was on the way back to the dormitory.

The key chain adorned with the Q version of Qin Jue's pendant shook with a rattling sound. Xie Qingyan opened the door with one hand holding the book and the other. His demeanor was still calm, but there was a rare bit of joy in his calm expression.

The roommate still stayed in the library to work on his thesis. Xie Qingyan put down his notebook and "Hundred Years of Light and Shadow", went to make a cup of coffee before sitting down at the desk, started to turn on the computer, clicked on the official website of a certain petal from the tab page, and skillfully searched for "Daylight" The Rain".

[Hurry, hurry, hurry, why hasn't Yanying scored yet? Conservative bet on an 85+]

[[Reply] It can be seen that the host is very conservative, I blindly guess at least 90 points, who agrees and who opposes? 】

[[Reply] At first, I wanted to blindly guess that a Yanying MVA was Qin Jue, but then I thought about the certainty of the matter, who would guess this, I am mentally handicapped, so I leave] *

[Qin Jue's audition video made me feel like a bird, as if I was watching the prequel of Mo Sen, awesome]

[[Reply] Everyone lives in Blue Star, why is he the only one who has no gravity... Are those movements really human-capable? Are you sure it's not Wia or special effects? ? (I know it's not me, just express surprise, don't blame me, just you)]

[[Reply] Although it's a bit wicked, I cut a lot of Tang Ting's emoticons from the background board. If you need it, you can private me, and I'll send you a copy. .jpg][You boy! .jpg]]

[A large summary of film reviews and analysis posts, they are all dry goods, come quickly]

[[Reply] I recently saw an analysis of lens language, I personally feel that the writing is relatively novel, you can read it. [Link]】

[[Reply·Reply] I read it, it is very pertinent, and there is another article that I think is also good [link]]

Looking at the line of water posts, Xie Qingyan clicked on the two links of the summary building to absorb new content.

"Stable performance without losing breakthroughs, new changes in the ordinary - talk about He Xu's shooting style"

Butts first, I have been a fan of He Xu for many years, and the old man hadn't finished crying for me in the past, but this year I can finally see Director He's work again, and I am very moved.

I remember who said at the beginning that there are many directors who shoot documentaries, and it is He Xu who can seamlessly integrate the two perceptions of "documentary" and "movie".

It's wonderful. Looking at the old man's previous works, after a careful analysis, they are basically all basic shots, such as cut angles, over-the-shoulder mirrors, etc., I feel that any student from the director department will be drawn here, but He Xu shot them. Things have a strong realistic narrative flavor, using the most earthy techniques to tell the most authentic stories, which are both simple and artistic, expressing the most profound connotations.

I also watched "The Cage" before. After all, Jiang Shuming learned from He Xu. For example, in the part where Wang Ziqian was deeply harmed by drugs, he first used darkness to set up the atmosphere, and then suddenly took a close-up at the moment the light was turned on. This shooting method of "line drawing" with the lens obviously bears the shadow of He Xu, and the natural visual impact is very exciting, but compared with the master, it is still inferior, after all, it is a bit deliberate.

Here are three examples from "Rain in the Day" to prove that **** is still old and spicy.

The first was the parallel cut that was widely praised by everyone. Here Mo Sen tortured and killed Su Qi, while Tian Gang and Qiu Xue were doing business there. The similar movements, expressions, and voices under the interlaced shots not only expressed diametrically opposite content, but also expressed a highly unified theme - "primordial desire". The contrast is straightforward and naked, while mobilizing the sensory experience, it also faintly reveals sharp and pungent irony, which is indeed quite exquisite.

But what I want to talk about here is the details. Although few people mention it, I believe that as long as I mention the paragraph "Mosen beat Su Qi, and Su Qi lost control directly under stress reactions such as pain, fear and despair", it will not There will be viewers who have finished watching "Rain in the Day" but have no impression at all.

Because the shot was captured, it was the semi-close-up shot of the urine dripping down, it was very short, and it was shaken and quickly cut to the close-up and medium-shot. There are water marks all over.

This is where He Xu's brilliance compared to Jiang Shuming, the old man didn't specifically zoom in, emphasize, and tell you "Su Qi is scared to pee", but he will use the camera to tell you: here is such a detail.

Then the details melt into the whole picture, and the composition is very harmonious, forming a natural impact.

Then all the details are stacked up, which will make the audience feel so real, so scary, and creepy.

The second one is also the content of this piece, but before Su Qi was knocked down and killed by Mo Sen.

At that time, Mo Sen successfully counter-killed Cao Hao, half of his face was spattered with blood, he turned his head to look at Su Qi, Su Qi froze in place and did not dare to move.

The room was very dark. Director He didn't take a close-up of Mo Sen's face, but blurred Su Qi's back in the lens, and shot Mo Sen's moving eye whites in the dim environment from her perspective.

The whites of the eyes are so frightening, **** me.

I feel that under normal circumstances, when faced with this kind of plot, the director will take a close-up of the face followed by a close-up of the eyes, and shoot the actor's pupils moving, expressing "my eyes are locked on you". But He Xu didn't do that. He didn't shoot the eyes, but the whites of the eyes. That little light color is very conspicuous in the dark and unclear room, and it's not a close-up, it's just an ordinary close-up shot. In the shot, Mo Sen and Su Qi have A distance that is neither too far nor too close, the impact is both real and extraordinary.

Not "locked on you", but "eyes on you". At first glance, this paragraph may feel weird and scary because of the relatively bright color of the whites of the eyes. After thinking about it carefully, you can realize that the movement of the whites of the eyes is directly equal to the movement of Mo Sen's eyes. After realizing it, the underlying expression is "I, here, see , on, you".

This superimposed impact of the first reaction + second reaction, coupled with the premise that she just witnessed her fiancé being killed, it is no wonder that Su Qi was too scared to move, and I must be stupid there.

(By the way, I would like to praise Qin Jue's eye play nb, haha, I couldn't help running a question)

And if I remember correctly, there are two similar treatments in the whole film. One is here, and the other is that Mo Sen is waiting for Qiu Xue to come back at Tian Gang's house. The whites of the eyes are slowly moving in the dark. When you notice the whites of the eyes the next second, you realize that you have met the murderer's eyes.

It's good at shooting, and it has a good taste.

The third one is similar to the first one, and it is Mo Sen's anti-killing patrol.

It is also a very impressive clip. The thin Mosen is pressed on the patrol police, and he stabs the kitchen knife through the heavy police uniform. He is too thin and can only rely on his weight, because he is desperately trying , so the buttocks are pouted, and the legs are kicked up, only the toes are still barely standing on tiptoe, almost in an upside-down posture, which is ugly and real.

And what else aggravates this sense of reality, yes, the camera.

The close-up shot was zoomed out a little far, almost a rectangle with two lines drawn horizontally and vertically, counting from left to right and from top to bottom, and divided it into four parts, ABCD.

The angle of looking down is not too big, it is basically a slightly higher angle than the head-up view. To put it funny, it is as if you are sitting in the porch (note that you are sitting), and then watching Mo Sen killing someone in the corner of the living room a few meters away. The picture of him killing is only Occupy a corner of your field of vision.

There are no close-ups where there should be close-ups. This kind of "counter-intuitive" lens design is really wonderful.

Speaking of this, I will continue to talk about a new discovery of my own.

Here, I thought it was a classic "voyeuristic perspective" at first, that is, the audience was the person who peeked through the crack of the door and was a witness to the murder, so I felt that what I saw was real and vivid. Stimulate.

However, after thinking about it later, I thought it was wrong. This is not voyeurism, but a perspective similar to "monitoring".

Comrades who have cats and dogs at home can think about the pet monitors you usually put in the living room.

That shot of Mawson gave me that feeling.

The "surveillance perspective" is too cold. We sat outside the screen, watching with cold eyes not far away. Mo Sen tried his best to stab the patrolman to death.

It's no wonder that other film critics say "it's like watching a crime record", as far as my personal perception is concerned, it is true.

Whether it's Mo Sen's **** poking his **** down to smash the kitchen knife, or the cold surveillance camera, they all create this feeling. It's very similar to watching social news in a certain place on V blog. In the surveillance video, a fixed It is such a sense of déjà vu that the camera captures the process of someone being beaten/reviled/robbed of something.

There is also the next picture of Mosen standing up and panting after killing the patrolman. I remember that it was looking up, it was hell, and the apex of this looking up was only slightly higher than the height of the patrolman's body, just hovering at "in Between the dead patrolman's perspective to see Mawson" and "shooting Mawson with an ordinary looking up camera", just this small difference can show that the old man has mastered the camera position with great proficiency.

Then there is the place where "Rain in the Day" surprised me. Perhaps due to the influence of the original work, Director He this time has a lot more absurd flavor than before. For example, at the beginning, Wang Dali was treated as a shoemat by a pair of feet wearing leather shoes, and in the classic funny scene in the small park, Wang Dali and Qiu Xue each screamed/screamed, Tian Gang was in a dilemma, etc., this kind of "floating above reality" I don't know if it's the old man's new style, but I don't think it's too far away.” Anyway, I think it's pretty good.

It's just that Su Qi's short memory flashback is more subtle. I think it is too abrupt, and the high-speed flash + woman screaming is too conventional for horror movies, unlike He Xu's handwriting. Later, I read this friend's movie review [Link: "Notes, talk about the original work (mainly Su Qi], I feel that the suspicion of later deletions cannot be ruled out, I can only say that there are still some places that are not suitable, and it is not a failure, but it is indeed a bit Strange.

As for the campus bullying part of the swill, the specific content is not shot there, and the continuous large-scale perspective is used to give the audience room for spontaneous imagination, and the memories of Nakata are basically in the semi-dark background board, and the last montage of the memories, Wow, there are too many people bragging, I don't think there is any need to waste space on boasting, it is really brilliant for all to see.

In fact, to be honest, it's not just the camera itself that amazed me at the ending, it's mainly because the old man rarely used this kind of shooting technique before (after reading the relevant interviews, it's true that the ending was changed temporarily), it seems irrelevant, The splicing of pictures like a slide show tells the beauty that has not been destroyed by campus violence, which is really a big killer of tears.

There is a film review next door that specifically analyzes what each image corresponds to~www.mtlnovel.com~Although the author said that it is all subjective speculation, I think the speculation is very reasonable. If you are interested, you can go and have a look. There are pointers in the comment area road.

Finally, everyone is welcome to chat about the lens language of "Rain in the Day", not only camera positions, lighting, radio, BGM, etc. are also worthy of careful attention, looking forward to more sharing and communication.

*MVA, MostValuableActor, Most Valuable Actor

This chapter is 3600+, together with the 2600+ of 5.27, a total of 6200+, in addition to the updates of 5.27 and 5.28, an additional update of 5.3 has been added.

(Finally no more debts, shed tears of emotion)

Also, this film review was originally planned to be written before, but everyone knew what happened before, so it was moved to the present. (The limelight has passed, some butter cheese tentatively stuck out its head.jpg)

Anyway, hope you don't get blocked. Pray first.

Please remember the first domain name of this book: . :

Chapter end

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